Satoyama Hills — Canvas Tote
The countryside, distilled to colour and shape.
Satoyama is the old word for the tended land between mountain and village — rice terraces, low hills, managed woods. Here it is reduced to soft dotted bands of colour, an abstract horizon to get lost in — less a picture of a place than the feeling of one.
A Japandi Tote to carry it with you — market runs, studio days, weekend trips.
How this Japandi tote is made
The Satoyama Hills artwork is drawn in-house at the Calm & Oak studio and refined until the composition breathes, then mastered at high resolution and printed large across the front so the colours read exactly as painted. Designed by hand with digital tools guiding it; never scraped, never generic. Each Japandi Tote carries our wordmark, CALM AND OAK, COPENHAGEN.
What you receive
- A sturdy natural cotton-canvas tote (15″ × 16″) with strong dual handles
- A large front print so the colours read exactly as painted
- Printed to order with soft, durable inks · free worldwide shipping
Care: machine wash cold, hang to dry, do not iron directly on the print.
Why choose Satoyama Hills
The most Japandi piece here — restraint, warmth, and quiet geometry.
Who we are
Calm & Oak is a small independent studio with one conviction: a life, like a room, feels better with less, chosen well. Original Japanese art, drawn from the source in Copenhagen. Thirty designs, one quiet standard — the Japandi Tote.
Original artwork © Calm & Oak. An independent design; not affiliated with any artist.

Printed near you, only when you order.
Nothing waits in a warehouse. Each piece is produced by a partner workshop in your region within days, then delivered free and tracked.
Shipping & returns
Free tracked delivery worldwide. Production 2–5 business days, delivery 3–8 days by region. Made-to-order pieces are replaced free if damaged or misprinted — contact us within 30 days. Full details.
Behind the design
Every Calm & Oak artwork starts as ink on paper in a small studio north of Copenhagen. We keep the imperfections — the dry brush, the open circle — because that is the point.
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